caseinpoint: Miniature wonders of a dragon in your hand (No story ends with the closing of a book)
Quod evenit in labyrintho properantibus: ipsa illos velocitas inplicat.

"This is what happens when you hurry through a maze: the faster you go, the worse you are entangled."

P. 115, House of Leaves, Mark Z. Danielewski

caseinpoint: (Fire waking)
Urban spaces have spirits, and cities have souls. Some are dangerous, menacing, but also seductive; others are marked by beauty and excess; others again by their dreariness or spookiness. These are contagious qualities that are said to seep into the character of the people living in such cities. […] Some urban spirits are global in reach, others mainly local or regional. They are reproduced in everyday stereotypes and mythologies. None of these are of course true in any sociological sense but the proliferating fantasmic and mythical qualities of cities and urban spaces are effective realities that shape the behaviour, cosmologies and desires of people in cities, or of those who visit them, imagine them, or describe them in narrative or imagery.

- Urban Charisma, Thomas Blom Hansen and Oskar Verkaaik

caseinpoint: A knight with a red sheild words: Sir Gawain (A-questin')
Bedtime Story

Careful, honey, it's loaded,” he said, reentering the bedroom.

Her back rested against the headboard. “This for your wife?”

“No. Too chancy. I'm hiring a professional.”

“How about me?”

He smirked. “Cute. But who'd be dumb enough to hire a lady hit man?”

She wet her lips, sighting along the barrel.

“Your wife.

- Jeffrey Whitmore

caseinpoint: Miniature wonders of a dragon in your hand (No story ends with the closing of a book)
My waiter friend, Laurent, working at the Brasserie Champs du Mars near the Eiffel Tower, one night while serving me Une Grande Beer, explained his life. “I work from ten to twelve hours, sometimes fourteen,” he says, “and then at midnight I go dancing, dancing, dancing until four or five in the morning and go to bed and sleep until ten and then up, up and to work by eleven and another ten or twelve or sometimes fifteen hours of work.”

“How can you do that?” I ask.

“Easily,” he says. “To be asleep is to be dead. It is like death. So we dance, we dance so as not to be dead. We do not want that.”

“How old are you?” I ask, at last. “Twenty-three,” he says. “Ah,” I say and take his elbow gently. “Ah. Twenty-three, is it?”

“Twenty-three,” he says, smiling. “And you?”

“Seventy-six,” I say. “And I do not want to be dead, either. But I am not twenty-three. How can I answer? What do I do?”

“Yes,” says Laurent, still smiling and innocent, “what do you do at three in the morning?”

“Write,” I say, at last.

“Write!” Laurent says, astonished. “Write?”

“So as not to be dead,” I say. “Like you.”

“Me?”

“Yes,” I say, smiling now, myself. “At three in the morning, I write, I write, I write!”

The Illustrated Man, Ray Bradbury

caseinpoint: Miniature wonders of a dragon in your hand (No story ends with the closing of a book)
A Monstrous Manifesto

If you are a monster, stand up. If you are a monster, a trickster, a fiend, If you’ve built a steam-powered wishing machine If you have a secret, a dark past, a scheme, If you kidnap maidens or dabble in dreams Come stand by me. If you have been broken, stand up. If you have been broken, abandoned, alone If you have been starving, a creature of bone If you live in a tower, a dungeon, a throne If you weep for wanting, to be held, to be known, Come stand by me. If you are a savage, stand up. If you are a witch, a dark queen, a black knight, If you are a mummer, a pixie, a sprite, If you are a pirate, a tomcat, a wright, If you swear by the moon and you fight the hard fight, Come stand by me. If you are a devil, stand up. If you are a villain, a madman, a beast, If you are a strowler, a prowler, a priest, If you are a dragon come sit at our feast, For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thorns And here in the dark is where new worlds are born. Come stand by me.

- Catherynne M. Valente



Anyone else reminded of Introductions, by Shel Silverstein?

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