The push and pull of the warm lagan waves

Ah, Ah

Ah, ah cries the crow arching toward the heavy sky over the marina.
Lands on the crown of the palm tree.

Ah, ah slaps the urgent cove of ocean swimming through the slips.
We carry canoes to the edge of the salt.

Ah, ah groans the crew with the weight, the winds cutting skin.
We claim our seats. Pelicans perch in the draft for fish.

Ah, ah beats our lungs and we are racing into the waves.
Though there are worlds below us and above us, we are straight ahead.

Ah, ah tattoos the engines of your plane against the sky—away from these waters.
Each paddle stroke follows the curve from reach to loss.

Ah, ah calls the sun from a fishing boat with a pale, yellow sail. We fly by
on our return, over the net of eternity thrown out for stars.

Ah, ah scrapes the hull of my soul. Ah, ah.

- Joy Harlo

[In the Empire of Light]

In the Empire of Light
the water's completely dry

floating on a surface of itself
around islands pointed south-southwest

The wind fills it then
with more of itself

according to the rules
which cause parallel lines

to vibrate and cross
less and less

among the hanging baskets from a rain forest
among the visiting statesmen

from a rain forest
Here the dancer stops

to regain her balance
and reelaborate the distance

from the feet to the head
The risk is a part of the rhythm

She steps out of
and into balance

with those who are left
Chalk-marks show them where to stand

- Michael Palmer

Spring

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

- Edna St. Vincent Millay